Interview

Between instinct and control, he prepares every role in detail so he can forget the work, react in the moment and accept what he cannot fully explain.

Paired Day and Night versions move from ambient composition to club energy, with quartz and alignment shaping an EP that refuses neat genre boundaries.

Un narrador poco fiable y una mentira dicha por amor sostienen “Te hice dios”, que confronta al lector con la posibilidad de dañar a quien se intenta proteger.

From Sokka’s next battle to Timothée Chalamet’s wardrobe, he links acting and design through character, service and clothes made to outlast the feed.

Ahead of a total solar eclipse in Iceland, Curro Rodríguez and Juan M. Melero reveal how isolation, folk traditions and creative friction shape their sets.

From espardenyes on the Venice red carpet to total trust in Jaume Claret Muxart, a first-time actor learns when to stand out and when to listen.

Cerebral humorous notes on how to host a dinner party are essential reading for this summer. METAL got fed by the chef and writer then discussed kitchens, Devon and one suckling pig.

Con “La frontera encantada”, el autor colombiano desdibuja las líneas entre realidad y ficción, personaje y biografía, a la vez que critica el clasismo, la violencia estructural y la máscara social.

From a dress born of emotional need to a silent dance and a fictional pop voice, “Mother Mary” lets its director face feelings words cannot hold.

Creativity is only the beginning for an independent label facing larger companies, political and economic pressure, and every part of fashion as a business.

Judeline wants music to sound underwater and still leave room for a breath out of place, because perfection strips the humanity out of things.

Hablamos con Patricia y Pavel sobre su librería en A Coruña, donde rescatan joyas en papel, especialmente libros de arte, cultura visual y contracultura.

Made only for their own DJ sets, “Chica” reached dancefloors worldwide through an accidental Dropbox upload, and changed everything for Ben Evers and Najeh.

Fresh from Kappa FuturFestival, Sebastian Ingrosso reflects on new music, Swedish House Mafia's upcoming release with Lykke Li, and the months ahead.

Years of singles let people hear only fragments of him. The debut is the first record where he felt confident enough to show every genre he grew up on, overwhelm and all.

¿Y si las máquinas tuvieran más humanidad que nosotros? El artista madrileño nos invita a perder el control y a abrazar el caos en su particular trinchera algorítmica.

Colombian designer Nicolas Martin Garcia discusses his Milan Fashion Week debut and the Latin identity behind “Si lo crees lo creas – Latin Dreamers.”

A sugar-glass chamber, skin-like fabrics and Burmese dress shape “Antechamber”, where identity is revealed rather than made.

From “LAgoon” to a forthcoming album, film and expanded live show, the Berlin artist builds music and moving images as one inseparable world.

The author returns to Renton, Sick Boy, Spud and Begbie — but this time to talk not about heroin, but about what was always underneath.

In the middle of his Summer Season Tour and days before Monegros Desert Festival, we catch up with Azyr to talk about his meteoric rise and what comes next.

As a Black woman, she paints herself into an art history that idealised and exoticised women, answering the male gaze with intimacy, agency and imperfection.

“ILLSAMGONGGONG,” their latest release, began the moment five friends stopped hiding how they felt and remembered why they had always chosen each other.

The teenage psytrance that started it all moves from background to spotlight in a new EP she frames less as reinvention than as coming home to herself.

After a five-year silence, the musician returns with a self-titled album shaped by fatherhood, legacy and a 1941 guitar left untouched in an attic for four decades.

A pink and playful gym where kettlebells, selfie mirrors and inflatable bodies mock fitness culture’s hunger for control, desire and belonging.

Duality was never a plan, just how she exists. The new record is the place where she lets emotion out, because she cannot do it face to face with someone she has only just met.

Body horror, biomechanical restraint and digital overexposure shape a collection that asks why cruelty-free bodies remain brutal to themselves.

After an unplugged USB and a giant unicorn, one Mallorca night opens onto a conversation about orchestras, labels and the human charge behind electronic music.

Their new collaborative album expands time through loops, distortion and silence, tracing how two separate languages become one moving system.