Film

Sentimental Value
Unresolved Trauma and Family Dynamics

As Charli xcx stated: it’s a Joachim Trier summer. Although his new film, awarded the coveted Grand Prix in Cannes, is out in November, we’re already crying with the trailer.

Project Hail Mary
Saving Planet Earth

An elementary school teacher who puts the 'not' in 'astronaut' is humanity's last hope. Ryan Gosling stars as the unlikely hero on a mission to save our entire Solar system.

Bugonia
Aliens, CEOs, and Conspiracy Theories

Yorgos Lanthimos and Emma Stone team up again for “Bugonia.” Two conspiracy theorists kidnap a CEO they believe is an alien in this dark comedy coming to cinemas this October.

The Fantastic Four: First Steps
A New Attempt at Making It Work

Mister Fantastic, Invisible Woman, Human Torch, and The Thing are back! This time, actors like Pedro Pascal and Vanessa Kirby will bring the famous comic characters to life facing new enemies.

Sonoya Mizuno
What Is, What Could Have Been

In this METAL 51 interview, Sonoya Mizuno reflects on identity, fate and the quiet power of micro-decisions in a life shaped by transformation.

Dafne Keen
Hard Candy

Dafne Keen says it all with a look. From child prodigy in Marvel and Star Wars to action icon, she reflects on her career and the emotion of her early projects.

Billy Barratt
Getting Spooky

A24’s new “Bring Her Back” is bloody and thrilling. Its young, 17-year-old star chats the mind-bending effects of horror and putting our phones away.

Tribeca Film Festival 2025
Top Ten LGBTQ+ Movies to Watch

Boy George, Dorothy's legacy, lesbian coming-out stories, and drag queens battling zombies. Discover the unmissable queer film selection at this essential NYC film festival.

Eleanor the Great, by Scarlett Johansson
A Luminous Ode to Intergenerational Friendship

In her directorial debut, presented in Cannes, Scarlett Johansson avoids any temptation for visual spectacle and delivers an intimate, restrained, and moving film.

Orwell: 2+2=5, by Raoul Peck
What If the Future Were Already Here?

In this film essay, the director doesn’t illustrate, he denounces. He doesn’t revere, he interprets. An audiovisual piece that shows us that a once imagined dystopia might be closer than we thought.