Music

Adam Beyer, Solomun y Charlotte de Witte se suman a un aniversario que crece con tres nuevas fechas entre Lisboa y el Algarve.

On her latest, long-awaited album, the Queen of Pop seems content to invest in nostalgia instead of imagining the future, revisiting sounds from her career.

In a return to the “collective catharsis” of music’s origins, the 70th Venice Biennale Musica reimagines genre, sound, and space, and with them the boundaries of music.

As music-making becomes faster and more automated, authorship, emotion and artistic identity gain weight beyond the mechanics of the algorithm.

Days before performing at Stone Techno’s Zeche Zollverein, the artist reflects on impermanence, creative freedom and the music that exists beyond language.

Doce nuevas confirmaciones amplían una edición que apuesta por estrenos audiovisuales, sets de tres horas y cruces entre música, arte digital y tecnología.

Su refugio creativo también es un espejo donde la vulnerabilidad, la rebeldía y las raíces alimentan canciones capaces de incomodar y sostenerla.

Pop becomes a space for confrontation, vulnerability and release as the dancefloor reveals where connection and heartbreak collide.

Ten years more mature, the artist returns to a seminal work already rife with the sadness, anger, lust, and desire of puberty with two new songs that enrich the album’s narrative.

With “Inert”, the producer steps beyond genre boundaries, embracing his own voice and every side of his musical identity in his most personal and creatively liberated solo work to date.