Music

On “Prima”, the Slovak singer turns pop ambition into a tightly choreographed spectacle, glossy, funny and vulnerable enough to show what becoming a star can truly cost.

A TikTok comment became the starting point for Charlie Jeer and Cat Burns’ warm, disco-inflected collaboration.

After years with Parcels, Noah Hill steps out alone to discuss heartbreak, creative freedom, radical honesty and the vulnerability behind his new album, “Ok ok now”.

Berlin siblings moonvine are back with “catch me if you can”, a new single made for getting lost somewhere between the dance floor and the afters.

Wet Leg’s Rhian Teasdale and Deutsche Telekom are turning down the noise with “Not a passenger,” a new campaign about taking back control when everyone seems to have an opinion.

After nearly ten years without an album of entirely new material, Gregory Douglass returns with “Bespoke”, the first single from his forthcoming album, “AMATEUR”.

With “Obsessions” finally out, Hot Since 82 goes back to his roots, rediscovering the freedom of making music for himself, more than two decades into his career.

The LA-based duo turn analogue synths, theatrical pop and the power of camp into one of the best albums of the year.

The pop newcomer celebrates the release of her debut album, “Prima”, by borrowing the Australian actress’s corsets, cinema speeches and most memeable glass of milk.

Miley Cyrus swaps phone screens for a rain-soaked dance floor in “Bass Persuades”, the urgent first taste of her tenth album and a persuasive call to move again.