Music

El festival renace en su 34.ª edición, que se celebrará del 17 al 19 de junio, y adelanta sus primeros artistas, con nombres como Bonobo, Carl Cox, Tokischa, Yung Lean, Jessie Ware y Frost Children.

After some time away, The Cope return with “Low,” a moving reflection on mental health, friendship and the creative legacy of Conor Biddle.

After leaving Lauran Hibberd behind, favourite daughter takes full control of her music with her fiercely personal debut EP, “bragger’s rights”.

Nathan Melja’s “Joe’s Muse” pairs a consistent techno groove with airy textures, bringing an understated energy to the opening track of his forthcoming Sentaku EP.

The final months bring one last wave of exciting releases, from experimental pop and underground electronics to rap. Get ready for Slayyyter, Björk, 2hollis, serpentwithfeet, and more.

As he releases “bleach”, the artist talks Britney, sexual vulnerability and why mistakes matter more than perfection.

The Atlanta rapper discusses the electronic pulse of “N5ON”, her unexpected collaboration with underscores and how a TikTok dance landed her a “Fortnite” emote.

After twenty-five years of fearing rejection, M07 is finally making some noise with four sold-out screenings of “SIGNAL” at ADE and his new single, “Sugar Rush.”

YOGI connects London, Toronto and Tokyo in “Ride or Die”, with stylist Natasha Advani bringing a fearless fashion vision to its music video.

Just two weeks after his last EP, Rett Smith returns with “That’s What the Money Is For”, putting art before profit ahead of “EP 3” on December 4.

We premiere “See You Again”, a six-minute journey through groove and melancholy in which Belgian musician Robbing Millions proves the possibilities are endless.

An immortal knight searching for death becomes the unlikely protagonist of “Axis Mundi”, Imminence’s most ambitious exploration of human vulnerability.

At Biennale Musica, a hardware-led debut opens a conversation about creative accidents, ethical sampling, collaboration and learning when to let a track go.

Queer desire, questionable decisions and zero apologies. Gen Laforce enters the pop world with “IFYGF”, and she’s ready to cause a little trouble.

Tired of impossible beauty standards? FLEUR ROUGE turns her frustration with the industry’s obsession with youth into the biting “Pretty Privilege.”

Who needs sleep when the music is this good? CLOSE PROXIMITY are making sure nobody leaves the dancefloor early with their new EP, “Every Body”.

With her star-studded release, Logic1000 embraces softness and collaboration, with a feature from Rahim fka Christine and the Queens.

The Thai superstar pushes her solo sound further into rap territory with a high-energy EP built around cinematic references, bold attitude, and unapologetic star power.

As Silencio arrives in Berlin for a temporary pop-up, we trace the German capital’s nightlife through the venues, collectives and movements that shaped it.

They met at a garage sale and clicked instantly. Vadakin humours our questions on Grimes, creative chemistry and what comes next.

The duo’s “Get Mean”, their newest album, tackles heartbreak, creative survival, and making music after romantic love comes to an end.

Shab is back with “Catch Me If You Can”, a new single accompanied by a racing-inspired music video where she’s firmly in the driver’s seat.

From a Grammy-nominated production to finding his own voice, Dpat opens up about the journey behind “infinite youth”, his new album.

Across jazz, old-school beats and K-pop, the seven members discuss finding a shared identity without giving up their individual colours.

With her debut EP just around the corner, Arabella Lucia delivers “Steal My Shimmer”, a defiant reminder that talent should never be something to hide.

After almost a year of teasing his new single, Andy Tongren finally shares “lucky me lucky you,” a song about finding love when you least expect it.

The singer parts ways with alcohol but not with the dancefloor on her newest album, a melancholic disco record about forgiving the girl you used to be.

In her second year as artistic director of Biennale Musica, she talks radical listening, institutional limits and why artistic freedom should resist the urge to fit inside a box.

On their latest album, the band explore how we mistake nostalgia for love, intensity for intimacy, and familiar pain for the possibility of change.

De la rehabilitación al punk: hablamos con el grupo mexicano sobre su nombre imposible de googlear, la Iglesia del SubGenio y sus próximos conciertos en España.