Music

Halfway through 2026, electronic music is impossible to keep up with. Fifteen releases worth catching up on, from Honey Dijon and Octo Octa to hyperpop and hard techno.

After a five-year silence, the musician returns with a self-titled album shaped by fatherhood, legacy and a 1941 guitar left untouched in an attic for four decades.

Disco shimmer, saxophone hooks and a shared instinct for optimism drive “SO GOOD”, the new collaboration between Charlie Jeer and Simone Ashley.

Duality was never a plan, just how she exists. The new record is the place where she lets emotion out, because she cannot do it face to face with someone she has only just met.

Más de cien actuaciones, escenarios rediseñados y una apuesta por el confort refuerzan un festival que quiere crecer sin perder su vínculo con Barcelona.

Instant attraction meets the loose energy of a live performance as guitar-driven pop rock carries a story born at a crosswalk.

El festival vuelve a consagrarse en su 23ª edición como una de las citas del cine alternativo. Ha sido un viaje y un aprendizaje vital impartido por artistas como Lawrence Lek o Carlos Casas.

Otra semana, otro festival. En esta ocasión, en Barcelona los próximos 17 y 18 de julio, donde Honey Dijon, Blawan, Verraco, Laurel Halo o Upsammy pincharán en un parque donde refugiarnos del calor.

After an unplugged USB and a giant unicorn, one Mallorca night opens onto a conversation about orchestras, labels and the human charge behind electronic music.

Their new collaborative album expands time through loops, distortion and silence, tracing how two separate languages become one moving system.