Music

Nine tracks, two sides of the Atlantic and one clear centre: “Homegrown” finds the artist broadening his sound without losing sight of Tottenham.

With “riendas”, the singer-songwriter turns losing control into a playful Latin-pop reflection on love, freedom and finally finding a reason not to run.

The Brisbane band’s “Endless Summer” pairs a circling psych-rock riff with a chorus whose unstoppable confidence grows increasingly unsettling.

Thirteen tracks, no emotional filter. The artist embraces desire, collapse, excess and vulnerability in her new record as parts of the same pop language

The four-piece band lean into groove, tension and instant melody on “Did You Miss Me?”, a release that feels lighter on its feet without losing its rock backbone.

The Toronto-based artist turns the split second before everything unravels into “cave in”, a restless new single built on pressure and momentum.

The Belgian duo opens the door to their forthcoming debut EP, “HABESHA”, with a new single about knowing love might hurt and choosing to fall anyway.

From Nashville sessions to the Irish identity she wears proudly, the singer traces the experiences behind her new music and the candour that shapes her work.

Ocho ediciones después, el festival convierte la tecnología en una excusa para llegar a lo más humano: éxtasis, ritual y memoria para pensar el futuro.

Across “Pylon”, beabadoobee lets anger, tenderness and nostalgia coexist, tracing the uneven work of making peace with change.

The Georgian-born Greek artist made her runway debut at Natasha Zinko’s SS27 London show, just weeks before returning to the city with a new live experience.

El festival ibicenco alarga la noche con Paul Kalkbrenner, Carista y Lovefoxy, mientras la antigua cantera de Can Coix ofrece otra forma de vivir la electrónica en la isla.

In the pop star’s latest album the bass persuades, but it’s asking us to surrender to music, to another person, to ageing, to pleasure while remaining recognisably ourselves.

After a steady stream of singles, the bigger picture comes into focus: “Halftone Paradise” moves from Moore’s pop instincts towards jazz and improvisation.

Directed by Gordon von Steiner and narrated by Ian McKellen, the Australian singer’s latest video brings queer nightlife into an unexpected period setting.

Across “Static,” Jaymin faces the friction, fading signals and uncomfortable conversations that begin when romance moves beyond the honeymoon phase.

Diez años merecían una despedida a la altura, y Richie Hawtin será el encargado de encabezar el gran cierre del evento en Lagoa Branca los próximos 19 y 26 de septiembre.

“U the one” opens Colarte’s “vo1ume one” and his planned “123” trilogy, following feeling over overthinking.

Flowers, perfect timing and dancing in the rain begin to look suspicious on “Game Boy”, as Little Quirks turn up the guitars and question all that charm.

Desire gets messy on “heartless romance”, out today and marking a darker, more dance-driven direction where sad pop feels right at home after dark.

Sonia Elisheva steps into a new sonic chapter with “Playground”, turning the pressure of having everything figured out into something more freeing.

Geese, Pulp, Mac DeMarco — in the forest of Dorset, a twenty-year anniversary special ran back the cult classics. Deeper in the trees something weirder could be found.

Lucia del Greco convierte la música de Andrea Laszlo de Simone en una pregunta escénica: ¿qué significa realmente tocar en vivo en el escenario contemporáneo?

Today, the Los Angeles artist returns with “Fate,” a ten-track second album exploring just how much control we really have over the lives we live.

With “Forever and Tomorrow,” Valerie Chanelle blends soulful R&B, contemporary funk and nostalgic pop as she continues to define her sound between Stockholm and Los Angeles.

The band speak on stripping “Magazine” to the bone, actualising with one mind across four bodies, and what comes after a year spent everywhere at once.

With “Língua Espúria” approaching, António Feiteira explains how muscle memory, generative tools and electronic systems shape Amuleto Apotropaico’s new language.

Waterworks stretches into a 36-hour dance at The Cause, with longer sets, collective takeovers and a line-up mapping the many currents of UK club culture.

Rett Smith burns the map and starts again as Tin Lung, leaving his guitar-driven sound behind with the hardware-only electronic experimentation of “EP 1”, out today.

The artist becomes a cosmic centauress in Andrew Thomas Huang’s video for “Wasp In the Fig”, a tender, visceral vision of motherhood and metamorphosis.