From Nashville sessions to the Irish identity she wears proudly, the singer traces the experiences behind her new music and the candour that shapes her work.
La reinvención de los básicos se construye desde la transparencia, el drapeado y una silueta femenina ligera. Una colección de piezas básicas pero suficientemente alejadas de la norma.
His final Diesel show closes six years of experimental denim and a democratic vision of fashion. What comes next for the brand he helped revive?
With “SPIRITS”, the artist transforms over ninety discarded plastic shoes collected from four bodies of water into an interactive reflection on our dependence on petroleum and plastic.
Jonathan Anderson is taking the Maison to the restless Chinese megalopolis to bridge past and present, heritage and the contemporary, while honouring the founder’s 1948 collection.
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Road-written and recorded with Hero Baldwin, “Edge of Forever” balances breakbeats and open-road stillness before a twenty-one-date North American tour.
Craft, complexity and a restless screen presence define the British actor’s arrival at the Spanish House as its creative reset takes shape.
La prisión sigue operando fuera de sus muros en un drama que encuentra empatía y tensión entre Taylor y Dee.
Jonathan Anderson returns to the city where he began his fashion career, placing Dior’s next collection inside one of Ireland’s most storied institutions: the Trinity College Dublin.
A pink house, an F-35 and a song suspended between sleep and threat open the world of “Flying High”.
A wardrobe built around three personas balances romantic tactility, adaptable layers and disciplined tailoring while keeping colour grounded in everyday life.
La primera exposición barcelonesa de cerámica del músico y artista griego convierte Terranova en un ecosistema de presagios, tentáculos y humor ante el apocalipsis.
A self-directed descent through highways, crash rooms and glowing eyes introduces “Hard Beat,” the second single from “Get Mean,” due 18 September.
Aidan Zamiri directs Vincent Cassel through a black-and-white film-set collision that pushes the British artist’s growing screen fixation into the frame.
Rather than dress for one destination, it moves with women from city streets to the coast, carrying the same confidence without ever changing who they are.
Built-in bra balconies, mini shorts and reversible deadstock camo keep the capsule soft enough for movement, pulling the print from barracks towards the bedroom.
House music works best when the room feels shared, and a collaboration with Ryan Sadorus finds movement and restraint in warm grooves and restless longing.
Between sets by Helena Hauff and Honey Dijon, David Arzamendi turned his lens on the crowd, catching the people and style moving through the weekend.
Glassworks that shift colour, holograms hovering between presence and absence, and plans for a celestial observatory taking shape inside an Arizona volcano.
The author returns to Renton, Sick Boy, Spud and Begbie — but this time to talk not about heroin, but about what was always underneath.
In a dark-wave take on her classic ethereal sound, the artist explores her changing relationship with the world and herself as a new mother, ultimately embracing love as transcendent.
The 3-Eye Lug Boat Shoe returns in a Lagoon Blue lifted from the Le Bonheur runway, trading the banana yellow of La Bateau for Art Deco and Memphis references.