Film
At the intersection of art, nature, creativity and inspiring narratives, the festival celebrates contemporary visionaries and invites audiences into their immersive world.
Lucía Aleñar abre con su ópera prima "Forastera" y Rodrigo Sorogoyen cierra con "El ser querido", entre un thriller de Guy Ritchie y una Annie Ernaux adaptada.
From cabins to family homes, a cult horror saga keeps shifting shape while holding onto the book, the Deadites and the uneasy border between gore, comedy and trauma.
El festival vuelve a consagrarse en su 23ª edición como una de las citas del cine alternativo. Ha sido un viaje y un aprendizaje vital impartido por artistas como Lawrence Lek o Carlos Casas.
The new trailer points to a darker end for Paul Atreides, with Chani, Arrakis and new figures pulled into Villeneuve’s final chapter.
Llega una de las grandes semanas para el cine alternativo. Del 30 de junio al 5 de julio, se celebra en Santiago de Compostela una cita imprescindible para cualquier amante de la gran pantalla.
This year in queer cinema is dramatic, horror-ific, hilarious and sexy. From tearjerkers to slasher flicks, this Pride may be the perfect time to plan your watchlist for the year!
A personal coming-of-age film becomes a sensorial portrait of Puerto Rico, shaped by family, diaspora, music and the emotional intensity of youth.
Tres personajes del siglo XIX revelan cómo la codicia, el colonialismo y la incapacidad de compartir siguen moldeando las sociedades contemporáneas.
Running becomes a way to rethink time, identity and collective experience through sound, light and the unstable space between control and release.
Marked as one of Britain’s up-and-coming stars, Zain Iqbal brings a compelling realness and dynamism to his role in “A Good Girl’s Guide to Murder”.
A flamboyant portrait of Henry Paget turns spectacle, fragility and aristocratic excess into a celebration of otherness that resists easy tragedy.
Charli xcx gave us John Cale, Marc Jacobs and Martin Scorsese. We built our own “Music, Fashion, Film” dream lineup.
El odio online, la culpa y la soledad se cruzan en una película que convierte un mensaje violento en una conversación incómoda y profundamente humana.
Un regreso familiar en Costa Rica abre una grieta íntima donde deseo, ausencia y desajuste emocional convierten la casa en un territorio imposible de reconciliar.
“Love Me Tender” es una representación revolucionaria de la autonomía femenina, las expectativas de maternidad y la lucha por redefinirla.
The German director’s debut film turns adolescence into a political space without forcing the film into thesis, tracing how fear, media and national identity enter ordinary life after 9/11.
Spanish cinema is going through one of its most fertile and most open moments in the world. The short films of Where Talent Ignites, premiered at Cannes, confirm a new Spanish audiovisual sensibility.
The film enters the Cannes Competition as a tightly controlled moral dispute, where institutional care and private belief systems are placed in direct conflict without the comfort of resolution.
Cannes loved him and so do we. The young French actor speaks with us about his role as a talented boxer overcoming psychological hardships on a journey to self-discovery.
Tras el cáncer, Nora vuelve a una vida que ya no encaja y convierte deseo, pareja y miedo en un territorio de negociación constante.
A three-hour meditation on care, mortality and time that turns philosophical dialogue into one of Cannes 2026’s most quietly radical cinematic gestures.
Un retrato áspero de la migración, la culpa familiar y el dolor que sobrevive incluso cuando se intenta empezar de nuevo.
Desire turns intimacy into a system of doubt, where love, opacity and complicity blur inside Marie Kreutzer’s most unsettling domestic drama.
Una película sobre el afecto contaminado desmonta la figura del genio masculino desde el silencio, el poder y una tensión paterno-filial sin catarsis fácil.
Realidades paralelas. Del 26 al 31 de mayo se celebra Documenta Madrid, el festival de cine internacional en el que barreras entre pantalla y público pasan a un segundo plano.
