Music

Más de cien actuaciones, tres días de música y un cartel casi imposible de resumir. Estas son las diez actuaciones que nosotros no nos perderíamos por nada del mundo.

Far from chasing trends, the British artist’s new record quietly rewires the logic of contemporary pop, turning the genre into a space for cultural thinking.

Released today, Lora Mouna’s new single, “The Difference”, is a slow-burning dream-pop and indie-rock track with a powerful emotional payoff.

Judeline wants music to sound underwater and still leave room for a breath out of place, because perfection strips the humanity out of things.

Across indie rock, funk and acoustic shifts, sharper lyrics and layered vocals shape his most exposed record, one that arrives at resignation rather than resolve.

El festival vuelve del 13 al 18 de octubre a Valencia con Mouse on Mars, Loraine James, DJ Marcelle y una programación que entiende la electrónica como una práctica expandida.

A self-funded debut album begins with a pop single whose bright rush masks the urge to return to the heartbreak and rage that once powered her writing.

Made only for their own DJ sets, “Chica” reached dancefloors worldwide through an accidental Dropbox upload, and changed everything for Ben Evers and Najeh.

Enzo Siragusa lidera un cartel que reúne a Raresh, Traumer, Ben UFO y muchos más en la residencia de FUSE en 528 Ibiza.

Fresh from Kappa FuturFestival, Sebastian Ingrosso reflects on new music, Swedish House Mafia's upcoming release with Lykke Li, and the months ahead.

Del 17 al 20 de septiembre, LEV vuelve a Madrid con el estreno en España de “Last and First Men” y nombres como Kelly Moran o Suso Saiz entre sus primeros confirmados.

Years of singles let people hear only fragments of him. The debut is the first record where he felt confident enough to show every genre he grew up on, overwhelm and all.

While touring North America with Suki Waterhouse, the artist returns with “Experiment,” a song about regaining confidence after heartbreak.

Road-written and recorded with Hero Baldwin, “Edge of Forever” balances breakbeats and open-road stillness before a twenty-one-date North American tour.

Released just a day before Windsor Pride, “Heels Running” swaps vulnerability for confidence and makes moving on sound louder than looking back.

A pink house, an F-35 and a song suspended between sleep and threat open the world of “Flying High”.

A self-directed descent through highways, crash rooms and glowing eyes introduces “Hard Beat,” the second single from “Get Mean,” due 18 September.

Aidan Zamiri directs Vincent Cassel through a black-and-white film-set collision that pushes the British artist’s growing screen fixation into the frame.

From “LAgoon” to a forthcoming album, film and expanded live show, the Berlin artist builds music and moving images as one inseparable world.

House music works best when the room feels shared, and a collaboration with Ryan Sadorus finds movement and restraint in warm grooves and restless longing.

Between sets by Helena Hauff and Honey Dijon, David Arzamendi turned his lens on the crowd, catching the people and style moving through the weekend.

In the middle of his Summer Season Tour and days before Monegros Desert Festival, we catch up with Azyr to talk about his meteoric rise and what comes next.

In a dark-wave take on her classic ethereal sound, the artist explores her changing relationship with the world and herself as a new mother, ultimately embracing love as transcendent.

This remix single featuring Trentemøller dials up the beats for a release that’s ready for dancing in boats and loving yourself. “Feed The Good” does what it says on the tin.

A sunlit escape becomes lo-fi nostalgia in “ur love”, The Paws’ tender video for life is beautiful’s 40-track compilation.

“ILLSAMGONGGONG,” their latest release, began the moment five friends stopped hiding how they felt and remembered why they had always chosen each other.

The teenage psytrance that started it all moves from background to spotlight in a new EP she frames less as reinvention than as coming home to herself.

Halfway through 2026, electronic music is impossible to keep up with. Fifteen releases worth catching up on, from Honey Dijon and Octo Octa to hyperpop and hard techno.

After a five-year silence, the musician returns with a self-titled album shaped by fatherhood, legacy and a 1941 guitar left untouched in an attic for four decades.

Disco shimmer, saxophone hooks and a shared instinct for optimism drive “SO GOOD”, the new collaboration between Charlie Jeer and Simone Ashley.