
What People Do for Money: thirty international artists have been working with Zurich hosts from diverse professions, joining forces to produce the new artworks. People do work – and need to work. Work is part of our identity, it stimulates the circulation of money and it is how we cover our cost of living. But money is not our only currency. There are other ways of interchange. In Joint Ventures, apart from the thirty new productions, thirty documentary films about the process of producing these art pieces have been especially filmed as well. In this chapter we highlight Spanish artists Carles Congost and Santiago Sierra, who have been working with a Zurich fireman and a security advisor respectively. Mexican artist Teresa Margolles has been collaborating with a transvestite sex worker. Canadian artist Jon Rafman spent time with a spa manager, and the Italian artist Maurizio Cattelan, with a Paralympic world champion. Each new production will be presented in three ways: at a satellite venue, in either the Löwenbräukunst or the Helmhaus, and as film screened at the Pavilion of Reflections.

The M11 parallel events reflect on the artistic activities in the city of Zurich and the surrounding region, and offer a window into local and regional cultural life with projects from the visual arts, performance, video, photography, dance, theatre, music and design, distributed in 38 locations.
Zurich’s famous birthplace of Dada art movement in the early 20th century, the Cabaret Voltaire –now Cabaret der Künstler–Zunfthaus Voltaire–, will host the performance program, where artists and people from other professions will perform together on the stage during the 100 days of the Biennale. Anyone going on stage and performing will automatically become a member of the new founded guild of artists. It's worth to mention that the budget needed for the M11 performance program has been raised by a crowdfunding campaign.
The organization also trained some mediators with diverse professional backgrounds who will show the Biennial to visitors and engage them in lively conversations and exchange – there is no better way of enjoying art than participating in it.





















