I studied fashion and textile design but with the years I started gravitating towards something that may be closer to art. I don’t know, I still feel I’m somewhere in between those two worlds.
Both my parents were art students when they had me and I was brought up in a very small apartment surrounded by pens and pencils and brushes. There was a lot of drawing and experimenting, any art related activity was encouraged and I also think I used that excuse to have my parents attention.
About the development of a visual language… I guess some people may be so special that they have it inside, but for me it is just a question of non stop research and trying. A daily mix of looking for inspiration and experimenting with my own versions.

I think it defines me personally more so than it defines my brand. A plant that takes over.

Actually, I moved to England right after I graduated (literally a week later), partly because I knew I didn’t want to face that void of being in Buenos Aires ‘the day after.’ From one day to the next you stop from being a student to just being unemployed. I decided it was the perfect moment to change my whole context at once, and start over.
It took me some time to adjust, and even longer to actually make money. At the beginning I would do freelance pattern designs while researching and trying to figure out what I could make on my own. I wanted to build a portfolio, I wanted to have something to show. It was definitely a time of uncertainty and insecurity, I remember feeling everybody else was on a better place professionally and that I would be left behind if I didn’t act fast.
At the same time, I was quite confident in what I could achieve. I just didn’t know what shape it would have. I think the only advice I can sincerely give, is to keep on making until you hit something. It takes time to build your confidence, and to figure it out, but it gets easier the more you work at it. I never ended up having a formal job in a big company, but I remember I was rather afraid of that idea.

I believe you can feel home in different places, yes. I also feel there’s always one place you’re missing at least a bit. That’s how I feel about buenos Aires. It still is the city where my friends are and a place I wish I could visit a few times a year. I still find myself daydreaming about being there from time to time. I like the idea of fluidity when it comes to many things, but especially the place where you choose to live.
We moved to the UK because my partner had a job offer and we didn’t have enough money to visit Europe as tourists; it just felt like the way to do it. But I never lost contact with Argentina, I don’t know if it’s about roots, but there’s definitely a lot of me that has to do with a lifestyle and a culture that isn’t the one of the place I currently live in. I’m for sure louder and more physical than the people who live here, but I’ve also taken a lot from them, every place has its thing and I enjoy absorbing from that. I feel I’ll keep on changing places a few more times in my lifetime. We’ll see.

Well, while there’s for sure enjoyment and pleasure in the process, there’s also some structure that I need to put in place in order to organise my work. I wish I could work only when I’m inspired but the truth is I need to be able to work even when I’m not.
So, there are two main ways of working for me. Either I’m in one of those moments when I find something that starts me up and I can’t stop sketching and everything flows and without me knowing what I’ll be doing with it, or it's one of those moments when I start by deciding what kind of project or what technique I’ll be working on (will I make a woodcut print or a sculpture or an embroidery or a tapestry?). And then I start thinking according to that, and decide a theme or an art period to research or I start looking through the pile of old sketches and unfinished projects to find something I can now use for this purpose.
I try to sketch every time I can, I try to do it even when I think the result is disappointing, even if I can only get one drawing out of a whole afternoon. I try no to put too much pressure on them, try not think ahead, because even when I think they won’t work, those ideas end up making sense later, when I least suspect it. I trust that a lot.

I think I’m prepared to observe my surroundings all the time, looking for something I can use and transform. It can be second hand art books or a Pinterest board, an exhibition, a set of tools, a documentary, watching someone work on instagram or a film. I love films and they inspire me in a way that’s more indirect than, say, a painting. Films can inspire me because of its colour scheme, music or just the general mood, settings or characters, it is more unpredictable. In that lack of control I feel there’s something surprising and very interesting.

I find that working with my hands and being busy helps me with my anxiety; when I’m busy and excited about a project I seem to be able to focus for longer periods of time. Usually I can’t even read because my mind can’t sit still for more than 5 minutes. I like how I can suddenly become very patient if I’m embroidering one stitch at a time or if I’m carving away a piece of linoleum. That being said, whenever I’m really struggling, not even that works, so: yes, I think it can help keeping the mind at ease but I still think we should all consider getting professional help when It becomes too much to handle.

I was very lucky to be used to working from home already, so 2020 was a very productive year for me. I managed to work a lot, but of course I struggled with confinement as everybody else, especially with the uncertainty and the impossibility of seeing my friends and family even when the rules in Europe relaxed a bit. I spent the whole year without knowing if I would be able to travel back home and see my family (that I usually see only once a year already). It was a very lonely year and to be honest, I’m still worried about this year; I don’t have that many friends in England and I used to rely a lot on travelling for my social life. It has been challenging, no doubts about it.

I think, in a way, that shift has to do with first world countries being used to having access enormous quantities of products and waste they didn’t really need or want, for too long. Finally we’re realising that we don’t need to own ten pairs of jeans and, more importantly we’re finally accepting that clothing cannot cost the same as, I don’t know, a lunch menu. At least I hope we are. I think we may be finally realising that there’s power in choosing where to spend your money and what companies or activities shouldn’t get your support.

I don’t think I’m consciously trying to start a debate or a conversation about it, but these are definitely themes that live in my head constantly, things I think a lot about, things I obsess about a little. They exist in my work because they exist in my life, daily. Particularly the concept of beauty. I revolve around the idea of beauty a lot. And gender and beauty standards. What we’re supposed to find beautiful in contrast to what we actually find beautiful or exciting or arousing. Who are we supposed to feel attracted to.
I like playing with what can sometimes be considered ‘ugly’ or distorted, out of proportion, mixed, confusing, exaggerated. I like exploring what I find seduces me, moves me and what I find exciting. I always find that what I consider to be the most beautiful is something in-between, in-between what’s supposed to ugly and beautiful, what’s properly made and what looks like an accident and what’s feminine or masculine, if those terms still mean something. I’m waiting for the day we finally get rid of this gender binarism that I think is to blame for a lot.

I’m not sure I use it in such a healthy way! I do depend on it a bunch, consume and spend way more time on it than I would like to. But I’m getting better at it, I think. Especially now that I definitely don’t understand anymore what’s supposed to work for the algorithm, it made me relax (after a lot of stressing about it). It made me understand finally that the only way I have to achieve something through it, is by keep on making, my own distinctive work, taking as long as I need to.
I can’t create content daily, because I have to actually produce it, research, reach conclusions, try it and finally decide if it works or not. You can’t do that daily, or at least I can’t. So I decided to give myself the time and make something that’s worth the waiting.
I may not be viral anymore, but I’m happier with my current work than I was with whatever it was I made before that used to get all the likes. Maybe I’m wrong in my approach, but that’s how I’m dealing with it at the moment.

My curiosity has a lot to do with who I am, it is simply a part of how I function, how I work, how I relate with the world and with others. If I get curious about something, especially about how something is made, then I’ll put all of my energy in trying to understand the process and then give it a try.
I think I keep on exploring techniques because I really do find pleasure in knowing how things are made and how things work. I’m always curious to know if I can make my own version of whatever I’m looking at. I would love to work with sculpture, furniture, ceramics, metalwork, woodwork, lights, and rugs.

Thank you! I don’t know if I’m purposely trying to keep it small, but I’m cautious about the collaborations I decide to accept. I ended up rejecting offers to work in collaboration with very big companies partly because I couldn’t really be 100% sure about the promised production conditions and also because I felt I was going to be producing an unnecessary amount of waste that made me feel very uneasy about the whole thing. I want to try to make this work without having to step on another person to do so.
I’m ambitious but I really don’t want to be greedy, or do something solely for the money. I consider myself to be very lucky, I have the job and the lifestyle I always wanted, I try to keep that in mind when having to take these decisions that aren’t always easy. I’m also still learning, it’s definitely a daily process.

Blanca Miro Skoudy, Paloma Wool, Dai Ruiz, Claire Pony, Hilary Hahn, Erin M. Riley, Sara Andreasson, Le Raclet and Maria Luque.