Metal37

Metal Nº 37
Metal Nº 37
Remaking the past by Mehdi Lacoste

Mehdi Lacoste reimagines the symbolic meaning of the mask, based on Annie Leibovitz's understanding of Meryl Streep's polymorphism. Pure amazement!

Metal Nº 37
Metal Nº 37
Remaking the past by Alice Schillaci

Alice Schillaci remakes the polemical cover of TIME magazine focused on attachment parenting. People were not ready yet to see a mum breast-feeding her kid.

Metal Nº 37
Metal Nº 37
Remaking the past by Mehdi Lacoste

Donna Karan hoped that a woman would one day become President of the USA. Today, Mehdi Lacoste refreshes the almost fulfilled dream these past elections.

Metal Nº 37
Metal Nº 37
Remaking the past by Ben Lamberty

Ben Lamberty recreates the iconic 1996 i-D cover starring Michele Hicks as a solemn Kate Moss, who covered her eye similarly to a military salute!

Metal Nº 37
Metal Nº 37
Remaking the past by Steph Wilson

Childhood memories and father-son relationship are portrayed implicitly in this Picasso’s masterwork. Steph Wilson remakes the candid image for METAL 37.

Metal Nº 37
Metal Nº 37
Remaking the past by Bruno Osif

Photographer Bruno Osif recreates the atmosphere of Juergen Teller's Blumarine campaign, but featuring the first Dior collection ever designed by a woman.

Metal Nº 37
Metal Nº 37
Remaking the past by Alexandra Von Fuerst

Alexandra Von Fuerst pays tribute to one of Nick Knight's most iconic photos: a timeless image created in 1997 with a legendary team of stylists and model.

Metal Nº 37
Metal Nº 37
Remaking the past by Carlota Guerrero

Photographer Carlota Guerrero reinterprets Versace’s instantly recognizable signature: half naked, handsome, ripped hunks wrapped up in beach towels.

Metal Nº 37
Metal Nº 37
Remaking the past by Steph Wilson

In American Gothic, Grant Wood used a pitchfork to symbolise labour during the Great Depression; for METAL Nº 37, photographer Steph Wilson uses a hoover.

Metal Nº 37
Metal Nº 37
Remaking the past by Jana Gerberding

To recall the mythic cover of an irreverent icon, Sex Pistols’ frontman Johnny Rotten for Interview Magazine, Jana Gerberding pulls Paul Boche’s ears!

Metal Nº 37
Metal Nº 37
Remaking the past by Piczo

Photographer Piczo playfully reinterprets one of the unique clichés of Grace Coddington while she modeled: shot by Steven Meisel accompanied by her cat.

Metal Nº 37
Metal Nº 37
Remaking the past by Kodai Ikemitsu

Kodai Ikemitsu turns 2000's porn-chic into a robot erotic romance for METAL – a visual delight inspired from Nick Knight and John Galliano.

Metal Nº 37
Metal Nº 37
Remaking the past by Saty + Pratha

The duo photographers Saty + Pratha refers to Mondino's (controversial) idea of universal beauty: elegance is everywhere we look!

Metal Nº 37
Metal Nº 37
Remaking the past by Alexandra Von Fuerst

Because fashion sometimes leads to boring conformism, Alexandra Von Fuerst reinterprets Cindy Sherman’s campaign for Comme des Garçons Fall/Winter 1993.

Metal Nº 37
Metal Nº 37
Remaking the past by Poncho Paradela

Dovima with Elephants is the epitome of fashion photography. In 2017, Poncho Paradela offers his very own updated (and animal-cruelty-free) vision of it.

Metal Nº 37
Metal Nº 37
Remaking the past by Piczo

All Guy Bourdin's photographs contain a certain sense of humour, especially in Charles Jourdan's ads. Here Piczo returns to this mild madness.

Metal Nº 37
Metal Nº 37
Remaking the past by Niclas Heikkinen

Once upon a time, art and advertising joined forces to spread a certain spirit. Today, Niclas Heikkinen recalls the energy from Man Ray's iconic picture.

Metal Nº 37
Metal Nº 37
Remaking the past by Masha Mel

Here's a universal sign that may hide something crucial. Masha Mel proposes a new reading of the world’s most recognizable image: The Creation of Adam.

Metal Nº 37
Metal Nº 37
Remaking the past by Steph Wilson

Steph Wilson recreates Annie Leibovitz cover for Rolling Stone with Lennon and Yoko Ono. Picture was took on December 8th, a few hours later Lennon was shot.

Metal Nº 37
Metal Nº 37
Remake the past, rethink the present

What is the difference between ‘copy’ and ‘tribute’? Why? The new METAL issue asks lots of questions, maybe you can also find some answer. Take a look inside!