Metal37
Tras Barcelona, Madrid. El 4 de julio llegamos a El Paracaidista para presentar la revista en formato expositivo. Así fue la presentación en Barcelona.
Andreas Karlsson brings back Fiorucci's contagious enthusiasm – a disco saturation that feels good. Just by watching it, we need a dance floor to have fun!
A campaign from the ’70s praised ‘Fetching is your Dior’, and featured Lisa Taylor bitten by an aggressive-looking Doberman. Andreas Karlsson reimagines it.
Five supermodels redefined female beauty after being immortalized by Herb Ritts. Now, Camila Falquez approaches the iconic image with a renewed look.
A woman surrounded by several mirrors can look as if she was pleasing herself, sleeping, or just chilling. Kodai Ikemitsu reinterprets Bourdin’s surrealism.
De las páginas de la revista a la sala de exposiciones, así fue nuestra presentación en Barcelona. El 4 de julio estaremos en Madrid, en El Paracaidista.
A political statement is made by recreating the portrait of two of the most famous American artists in history, who were sons of immigrants. Eat that wall.
Henri Rousseau painted an intriguing black Eva enchanting the snake. And Biel Capllonch remakes the image while keeping the original painting’s surrealism.
Bruno Osif adopts Jurgen Teller's techniques to shot an homage of his famous work Go-Sees, in which he showed every face who waited knocking on his door.
A huge floral headpiece frames the face of Vincent Beier, responsible for replacing swinging London icon Jean Shripton for one of the issue’s eight covers.
Photographers Saty + Pratha embrace Newton’s most iconic fashion editorial, bringing the same irreverent yet sensual lust to METAL’s latest issue.
For METAL 37, Alice Rosati recomposes an iconic Prada Sport campaign – a vibrant interpretation of Phil Poynter's sporty collective effervescence.
Masha Mel questions the notion of nudity and femininity from the iconic canvas The Nude Maja by Goya. In 2017, scandal may come from a body too covered.
Dreamy photographer Tim Walker adapted Tim Burton’s dark universe just before the filmmaker’s retrospective at MoMA in 2009. Now, it’s Teddy Iborra’s turn.
Poncho Paradela reinterprets the iconic Charles Jourdan ad for Spring/Summer 1976 shot by Guy Bourdin as a true-illusion made up to catch the eye!
One of the most famous portraits of the rebellious Alexander McQueen is remade starring Marina Pérez, who catwalked for him when he was still alive.
Bruno Osif makes the spaghetti orgy, originally shot by the always polemic Terry Richardson, its own starring Alicia Herbert as an omnivorous Crystal Renn.
Andreas Karlsson recomposes the funkiest campaign of Louis Vuitton – during the Marc Jacobs’ era – with style and a sharp sense of irony. Discover it!
Photographic duo Saty + Pratha refreshes our perception on women's bodies and beauty by reinterpreting Rubens' baroque painting The Three Graces.
For our newest issue, Camila Falquez actualises the one of Vermeer’s most iconic canvas, The Girl with a Pearl Earring. Beauty and accessories altogether.
Photographer Jork Weismann confronts Weber's campaign for Versace to a kind of reality check, and the result is quite sensual as well as intimate.
Amy Gwatkin turns model Vincent Levy into a punkish Manneken-Pis for our latest issue, based on the iconic image Pierre and Gilles.
A faceless and bold reinterpretation of one of Matisse’s most iconic cut-outs is what photographer Camila Falquez offered to METAL Nº 37. And we love it!
Emmie America interprets the famous LIFE's picture celebrating ten years of Dior's new look, but with Maria Grazia Chiuri's first collection for the maison.
Fashion lioness Naomi Campbell posed with a ceramic tiger for one of the kitschiest photographers alive: David LaChapelle. Now, Nadia Lee Cohen remakes it.
Winter Vandenbrink rewrites Kate Moss' first ever fashion editorial. Shot for The Face, the British model skyrocketed to the top to become an icon.
Photographer Anna Alek recalls an iconic cover of BLITZ, a student magazine edited by Iain R. Webb, which reshaped the whole understanding of fashion.
Irving Penn captured several tribes, cultures and traditions in his book World in a Small Room. For METAL Nº37, Niclas Heikkinen reinterprets one of them.
Photographer Piczo interprets Irving Penn's legendary colour compositions for Issey Miyake’s campaigns, in a same sort of structured dazzling puzzle.
It's a primal scream the one that Alexandra Von Fuerst reinterprets. A silent work howling the anxiety and uncertainty of its era, and maybe ours too.