Latincore is more than just a new trendy genre; it’s a cultural phenomenon rooted in the raw energy of underground clubs and the rich, diverse rhythms of Latin America. Starting from this premise and with the ultimate goal of highlighting the impact of this scene on an international scale, Headroom Records is bringing together some of the most innovative artists in Latin club music. Sueños en la tormenta is the final compilation in which many of these artists participate to merge hardcore’s raw energy with the vibrant rhythms of dembow, reggaeton, guaracha, and cumbia. We speak with Nicolas, the Headroom A&R behind the project.
Featuring trailblazing artists from across Latin America like CRRDR, Clementaum, Sassyggirl, Slim Soledad and many more, this cultural melting pot is deeply connected to the streets, the people, and a rebellious spirit that defies convention. Bringing together some of the most innovative artists in Latin club music, Sueños en la tormenta captures the energy of a scene that refuses to be ignored. The compilation has been released today, and they will be throwing a release party in Paris on April 4th. “We are also releasing limited edition CDs of the compilation,” Nicolas adds.
Hello Nicolas, how are you and where are you answering us from?
Hey, I am doing great. As I write this, I am on the Eurostar heading from Paris to London to meet with some of our artists and partners. Always good to be on the move.
I’d like to know more about what you do at Headroom Records. Excelling in transforming emerging talent into global sensations while preserving their artistic integrity, its diverse roster features artists like Sam Quealy, Swimming Paul, and Slim Soledad. Could you tell us more about this project?
At Headroom, everything starts with the music. That is the foundation, always. But we live in a time where thousands of tracks drop every day. There is a lot of good music out there, but very few truly astonishing records. Even fewer projects consistently amaze me and push the boundaries of what electronic music is in 2025. That is what I am looking for — artists who bring something undeniable, who make you stop and rethink what is possible. It is not just about talent, it is about vision. The ones who do not just follow trends but shape the future. My passion has always been working closely with artists, developing something from the ground up, and making sure their work reaches the right audience.
The music industry thrives on bold and innovative ideas that challenge expectations and redefine what is possible. And in an era where local scenes are more connected than ever, there is proof that you do not need to compromise to reach global audiences. Some of the most exciting music today is not in English, is not made for radio, and is not following industry formulas. Yet it still resonates worldwide. That is the energy we embrace at Headroom.
The music industry thrives on bold and innovative ideas that challenge expectations and redefine what is possible. And in an era where local scenes are more connected than ever, there is proof that you do not need to compromise to reach global audiences. Some of the most exciting music today is not in English, is not made for radio, and is not following industry formulas. Yet it still resonates worldwide. That is the energy we embrace at Headroom.
Founded in 2022, the ultimate goal of Headroom is to forge a space where music is raw, real, and distinctive. What do you think of the current global music scene? Is there room for those projects that offer something new and demonstrate a unique talent but do not respond to the demands of the market and the mainstream?
There is always room for artists who create from a place of truth. What is changing is how those artists find their audience. Music that lasts is not built on trends, it is built on culture. That is why certain movements, like the Latinclub scene, are growing so organically. It is not industry driven, it is community led. There is a collective energy behind it. Artists supporting each other, playing each other’s tracks, and pushing the sound forward together. That is something some European scenes lack unfortunately.
At the same time, the sheer amount of music being released means it is harder than ever to cut through. Good music is not enough anymore. The difference between getting lost in the noise and standing out comes down to vision, consistency, and how well you tell your story. The ones who make it are the ones who build their own worlds and make you believe in them.
At the same time, the sheer amount of music being released means it is harder than ever to cut through. Good music is not enough anymore. The difference between getting lost in the noise and standing out comes down to vision, consistency, and how well you tell your story. The ones who make it are the ones who build their own worlds and make you believe in them.
“We live in a time where thousands of tracks drop every day. There is a lot of good music out there, but very few truly astonishing records.”
From your relentless pursuit of a sound that pushes boundaries comes Sueños en la tormenta, a thrilling compilation which is the ultimate showcase of Latincore. How, when and where did this initiative come about?
We are not the first to highlight this scene, and we will not be the last. But we wanted to bring our own vision to a compilation project. In the end, it is all about curation. Choosing the right artists, the right tracks, and framing them in a way that makes a statement. We had already been working with artists like CRRDR and Slim Soledad, and through them, I got a deeper understanding of the movement. A lot of their sound had been used by European and Northern American DJs for years, but without the artists behind it always got the credit they deserved.
The idea behind this project was simple: put the spotlight on the Latin artists actually shaping this sound and give them a proper platform. Latincore is not mainstream, but it is too strong to ignore. The energy is there, the music is undeniable, and whether the industry is ready or not, it is happening. We started working on this about a year ago, bringing together different artists, collecting tracks, and building something that felt like a real statement.
The idea behind this project was simple: put the spotlight on the Latin artists actually shaping this sound and give them a proper platform. Latincore is not mainstream, but it is too strong to ignore. The energy is there, the music is undeniable, and whether the industry is ready or not, it is happening. We started working on this about a year ago, bringing together different artists, collecting tracks, and building something that felt like a real statement.
Do you think the general public knows much about Latincore, its impact and its influence on the global scene?
Not fully, but that is changing. Latincore’s influence is already present in today’s club music. What is different now is that we are hearing the artists who actually built this sound getting the attention they deserve. You can already feel the shift. More Latinclub events are popping up in Europe, more DJs are playing this music in their sets. It is still early, but the foundation is solid. This is not just a passing sound, it is a movement that is here to stay because of its cultural roots.
From Latincore pioneer CRRDR, Brazilian producer and Pabllo Vittar collaborator Clementaum, to Sassyggirl, many artists have joined this excitingproject that has just seen the light. Who else has participated and what wasworking with all of them like?
We have got an incredible lineup. Aside from the artists you mentioned, Noro$t from Colombia are bringing something fresh. Most of the Latinclub scene has been underground, but they are approaching it in a more mainstream way through TikTok, which is interesting to watch. Rattlesnakke, who will be at our release party in Paris, brings her own energy to the tape. Slim Soledad and XD Erica, part of the ch3rnobyl collective, were also key to this project, each bringing their own unique vision and approach to Latincore.
Alongside them, we also have artists like Laza, Entranas, El PLvybxy, and Joao Lagrima, all of whom are truly incredible. What stood out to me was how excited everyone was about the spotlight we wanted to put on the Latincore scene. I think every artist involved felt that, and that is why they were so willing to work with us on this project.
Alongside them, we also have artists like Laza, Entranas, El PLvybxy, and Joao Lagrima, all of whom are truly incredible. What stood out to me was how excited everyone was about the spotlight we wanted to put on the Latincore scene. I think every artist involved felt that, and that is why they were so willing to work with us on this project.
“Music that lasts is not built on trends, it is built on culture. That is why certain movements, like the Latinclub scene, are growing so organically.”
Ten tracks make up this compilation, how do they complement each other? What are the main common denominators and differences between the different singles?
It is structured like a journey. It opens with Multifasetika by Sassyggirl and Camilodesorden, which has a strong reggaeton influence. From there, it moves deeper into the Latinclub scene, with tracks that get heavier, faster, and darker. Since the compilation is based on a cultural sound, there are a lot of different variations of it. Every country and city in Latin America has its own musical culture, which leads to differences in how the sound is interpreted. We have Brazilian, Argentinian, Colombian acts and more, and you can hear that reflected in the compilation. At the office, we all have different favourites, which says a lot about the range of sounds on this project.
Are there any anecdotes from the creative process that you’d like to share with us? With this latest release, Headroom Records is helping push Latincore to the forefront of club music. Do you know about any other initiatives or projects that have this same mission at the moment?
One of the most exciting parts of the creative process was when our graphic designer, Péla, came up with the idea of creating a character that embodies the mixtape’s energy. She designed a bird covered in different tattoos, each symbolising a song and an artist from the compilation. It was a big step in visually bringing everything together and making the mixtape feel like more than just a collection of tracks.
There are also amazing initiatives supporting Latincore right now. The ch3rnobyl crew, who are part of the tape, are pushing the sound in their own way. The label tratratrax has been consistently putting out strong releases that help define the scene. In Europe, parties like those organised by Professeur Promesses have introduced a lot of people to the Latinclub music, and they were key in shaping my own taste. Platforms like Rinse have also been instrumental in giving space to up and coming artists in this movement. And beyond that, the way this music is spreading online is just wild.
There are also amazing initiatives supporting Latincore right now. The ch3rnobyl crew, who are part of the tape, are pushing the sound in their own way. The label tratratrax has been consistently putting out strong releases that help define the scene. In Europe, parties like those organised by Professeur Promesses have introduced a lot of people to the Latinclub music, and they were key in shaping my own taste. Platforms like Rinse have also been instrumental in giving space to up and coming artists in this movement. And beyond that, the way this music is spreading online is just wild.
If you had to define Sueños en la tormenta in just three words, which would they be?
Bold, confident, powerful.
And what can you tell us about Headroom Records’ upcoming projects?
We are throwing a release party in Paris on April 4th with Rattlesnakke, Sassyggirl, and Slim Soledad. It will be a great way to celebrate this project properly. We are also releasing limited edition CDs of the compilation.
Clementaum
CRRDR
LAZA
Rattlesnakke
Sassyggirl