Once I've got an idea and the material I want to work with, I put it all forward, watch it and shape it by playing with their own structures. I tend to place the pieces according to a main one. Colors, textures and paper finishes determine the parts along. I do not always get what I expect – in fact mistakes end up being, in many cases, satisfactory. Almost all the materials I work with come from the ‘70s-’90s. Very playful images are the ones with leftovers, marked profiles, plots, gradient backgrounds, desaturated colors, and interior images. I also use old tinted papers, as the color is worn. I usually buy it all in charity shops, flea markets and antique stores. Some stationaries have really old hidden sheets for sale.