Well, right now I’m at London Heathrow Airport. I just missed my flight back to Miami. I’ve been a bit irresponsible with travelling these days, I do need to sit down somewhere soon. I have a lot of family around the world so I end up having to travel a lot to keep in touch but I just spent about a week and a half in the Netherlands with my fiancé. I was in Lille, France for the holidays with my cousin and her partner and in Paris for New Years with these two beautiful sisters who took me in a few trips back. I think my bio pretty much sums it up and I’ve been this way since I was a teenager. I went behind my mothers back at 19 and backpacked around Europe solo. I can't even remember if I ever confessed that to her or not. I learn a lot about myself during transit. I always have my most honest sit downs with myself on planes or trains so it’s important for me to always keep a space for movement.

Public transportation, mostly.

Anything and everything, really. I like to think whatever dreams I currently have are drafts and I always think there’s room for more dreaming. I really like to zone in on the details and dream about the nuance. I think Seet Deh is a good place for the detail-oriented side of me.

I  guess I was just filming my life at the time. It was our first summer during the pandemic. We  reminisce a lot about that summer. I was reeling in from a break up, falling in love, making family with the friends around me. We rented out this airbnb for the summer in Crown Heights and just chilled. Friends were always coming in and out. Matt was learning to box so he’d always have his  gloves around and we’d practice with him. Hunter was getting back into painting so we’d have paint nights. I was always making music so my beats were always blasting in our apartment. It was a really goofy time in the middle of a very chaotic time. Looking back, we really made a pocket out of ourselves that summer.

Not the music industry, per se. The music industry is probably the shittiest part about this whole experience. I just dealt with a major label who owes me money using MLK Jr day as an excuse on why they were lagging on a two-week payment. It’s dumb shit like that all the time. I could never depend on the music industry for financial stability. That’s another reason I don’t take the working musician role seriously. I’m not at all intrigued by the music industry and don’t want to subject myself to its abuse. I like to make music. Release it. Put no expectations on it and whatever response happens is fine because I was going to make it either way and I make money off other shit anyway. So no pressure to stream my music (laughs).

Addicting as hell. I DJed like 17 raves after that one last summer. It was great practice grounds and introduced me to performing. I also made soo much money. It’s a really a great skill for producers to pick up. It helps me make better music because I’m always hearing so many different genres. It honestly really changed my life and relationship to nightlife. It feels more interactive than before. The only thing that bums me out is that there's a lot of gatekeeping in the DJ world out of any medium that I’ve tried but I do think it’s a good skill to have, music connoisseur or not. We’re going to be listening to music for all of our lives, everyone should know their way around a controller.

Yeah, my next project Move San, Let Gate comes out July 22nd.