It was a name my dad used to call me all the time, and when I started photographing I found out that a famous guy has the same name as me, so I decided I’d have to start going under T-Bone.

I just always liked the name and it’s a nod to Terry Richardson, his old work is some of my favourite. The sad face didn't really have a meaning, maybe just to make people sad.

Good, bad, ugly and sad.

I like that, I guess that’s one way for it to be perceived. I think shooting film probably adds to that, like imperfections and shit, that’s what makes a picture, there’s too much boring stuff out there. Though I'm not sure everything I do is melancholic, I hope not anyway. A lot of the time my work just reflects how I'm feeling, so if I'm having a bad time I end up making dark things.

I think it’s difficult for someone not to be influenced by where they work, like it’s surrounding you constantly. Though not everything about London is great, the light is terrible a lot of the time, when I got to shoot out in LA earlier in the year, it made me realise how bad it is.

Not sure I have a favourite or anything, I just love taking pictures and I don't do things I don't want to do. My objective is to have fun, that’s the key, to make sure everything you do, you love doing. I like to mix shooting outdoors with shooting in studios. A balance is vital.

I can’t imagine myself ever shooting digital. I know sometimes it’s necessary for how quickly things need to be turned around, but it’s just not what I enjoy, there’s no soul to the pictures. With digital it’s all added in afterwards, it’s not like that with film, there’s something there, it just feels more real.

I’ve loved it, I'm doing less and less now, as I felt it was time to leave it behind a bit and focus on my real work. But in terms of meeting people and just seeing how things work, it was amazing. Getting to see how some of the biggest names in photography go about things, that’s the kinda stuff you can’t just teach yourself.

Recently I’ve been way more focused on taking pictures than anything else, it just seems to switch every so often. I need to get back into drawing and making things too. It’s doing things like that which keep me sane.

There hasn't been one that’s been specifically hard to make, but a lot of the time I’d do a collage or something and just not be happy with it at all, like it just wouldn't look the way I’d want it to. When that happens I usually get angry and just destroy it. My favourite collage is probably the one I made from the Japanese porno magazine where I made it look like they were fighting, it’s not well done, I just think it looks cool.

The last shoot I did for Tim Coppens was great, I really loved that, I’ve never experienced anything like it, the whole team worked together and everything just went smoothly. Though only one of the two shoots are out at the moment, I'm looking forward to releasing the other.

Sometimes I love it, sometimes I hate it. But I think if you want to get noticed, it’s super important to be on top of it nowadays. Instagram is such a useful tool for people to quickly find your work and get in contact with you, it’s definitely changed everything. Whether for the best or not, I don't know, time will tell.

My work is the worst. (Laughs) I dunno, it just seemed fitting, maybe I was just in a bad mood. I think creative people are the most self-loathing.

Having fun. Doing something I love. There are some things I definitely want to have achieved, like shooting for certain people. Maybe I’ll be married with a cute dog (this isn't a proposal, Mana), that would be cool. I just like to think the future is a happy place.