The self-titled Mondegrin EP published early last month works as a kind of time machine, warping spaghetti string licks into laps of ambience, stapled between scatty breakbeats and a sympathy of synths whistling like spaceships.
In this interview we discuss how he uses samples to create something entirely his, the dangers of sampling, the music industries' approach to sampling and his process of compiling a sound library and searching for the right sounds in his record.