Hi! Just a week ago I came back from Mode Biennale in Arnhem; that was absolutely amazing. The event was curated by Li Edelkoort, I respect her deeply. That is a must-see on my opinion. At the moment I spend my time in my native city, Odessa, which is situated on the coast of the Black Sea in Ukraine, a truly inspiring place as well, a mix of South temper, sunny weather, kitschy bazaars and lovely charismatic locals.
At the beginning it seemed like a dream to me. Going to London, studying at CSM and becoming part of the unique energy which you can definitely feel when you are inside that place. My experience on doing my Master’s degree is less romantic than my first impressions, but you know, this is the best place in the world to be if you really have something to say with your work.
To be a student in Ukraine is a completely opposite experience; Ukrainian education system is quite out-of-date, you have to search yourself for all those new techniques, approaches, books, information, etc. I mean usually there is hardly anybody informing you with the latest news, students are often more well-informed than there tutors, (of course there are some exceptions). I was lucky enough to meet incredible people during my studies in Ukraine, some of them were my tutors and we are still friends today. It is always about the energy you are receiving, not so much about where you are.
I think contemporary people are too much absorbed by virtual reality. It is funny because I am a clear example of how human can be so dependent on social networks. I try to fight with this dependence but as long as it is a part of my professional activity it is almost impossible to become a “normal human” again! But…who is normal today? I think that is also something to ask ourselves. There is definitely a sarcastic approach to this project.
This blending is quite natural for the reality we are living in. I personally feel that in order to reflect what our society is about, we mix incongruous things. I did digital prints on fabric because that was the easiest way to reach the visual impression I wanted, I mixed images from different contexts to build my own.
To make shoes you need a specific knowledge, during the production of my final collection I was collaborating with an old-school shoe atelier in Kiev. There are some rules I have learned, but to construct each new model the basic knowledge is not enough. The process is similar in a way: I bring technical sketch, I know all the proportions /materials/finishing I want and then we make a sample model, try it on, make corrections … The most important difference is: once the final pair of shoes is made you cannot change it, you can cut out something but technically it is better to fix all you want on the sample model.
Menswear is a whole different world for me. I realized it only when I came to do my Master course in CSM. There have completely different aesthetics and practical values, menswear should be sometimes super functional or timeless or whatever,… it is possible to experiment of course, but the less is more in menswear.
I have seen loads of examples of ways to use print, texture, embroidery, but the most interesting aspect was to see his studio and shop from the inside while it was in its old place. The atmosphere was amazing. Walter was preparing his retrospective at the Mode Museum in Antwerp while I was there and it was really exciting to observe how he was building the story of all the past collections with loads of images covering huge boards all around the studio. I also reorganized his accessories archive, more than 100 boxes with the craziest pieces I have ever seen.
I adore drawing, this is because of my dad; he is an artist and my best friend. To be truthful, I love to sketch far more than to work in fashion, but I had not a clue about how to build a career as an illustrator. I thought that in fashion I could mix whatever visual effects I wanted, and that is how I chose this pathway. Anyway, I still feel that drawing is what I am best at.
Yeah, that was a time when I was having fun sketching on iPhone, because all you need was just an app and your finger, I was absorbed by this idea. But soon after I had made around 50 sketches I got bored, there is nothing better than the feeling of real paper and the line you draw on it.
I think fashion complements a photographic atmosphere and vice versa. It is all about context, you can imagine a beautiful fashion photo shoot with its own atmosphere and energy. Fashion can be in any shape, but you need a good sense of taste, whether you make a photo or a dress. It is a never ending process of learning. When I was younger I used to use a film camera, what a pleasure it was to wait for the best moment, the right atmosphere and make a shot! But nowadays it is different; the speed of life is different.
Inside I feel more like an artist. I grew up with my dad who was always talking to me about life in a very philosophical manner; I think my feelings were trained that way. What I think I should do is to make people dream the same way I do, and while it works that would be my task. It is a really interesting process of energy circulation when you are part of creating something new, whether it is art or fashion.
Hopefully, I want to get my Master degree at Central Saint Martins next year and stay alive after that. Whatever will happen next, I am sure will be great.