When I worked on this album with Phong we (or he) usually produced beats and melodies first, so the instrumental songwriting, but sometimes the lyrical melodies were really certain and powerful and decided the future of the track and its arrangement. On Jeopardize, one of my favourites from the album, he showed me one little sample loop he was considering and I know right away what I wanted to sing. I hadn’t slept the whole night before and wasn’t really in the mood for a complicated session, but when I heard that small loop I was like an addict and had to get it out immediately. I went into the vocal booth and laid down those vocals without writing absolutely anything, all in one take. It’s the recording on the final version, this first, one take, that we used.