So don’t expect to see only exhibitions – which, of course, are part of the program – but instead open your mind to discuss how and when should a project be considered completed, or in what different ways can it be displayed if it’s still not finished. The organizers found there was a gap in other photo festivals throughout Europe, so they decided to fill it while also promoting emerging talent – especially from Portugal and Spain – and having an experimental approach. Today we talk with them to see why are processes so important, the difficulties they’ve faced to put the first edition together, and what are the must-sees.