I have been doing music for years, and at some point I tried to have fun by inventing the music of the future. And as all my attempts failed, I started to think logically: what will be music in the future is not music today; what isn't music today is today’s noise, so my clue to create the music of the future may be the noise of today.

I am multiple, but one of us tries to make me believe I am not.

It feels quite good to realize that people around the world start to be sensitive about the point of view I offer. But I think that not caring too much about people's reactions gives me the force to face the crowd with love. I usually play in festivals that I didn’t know before, and with artists that I've never heard of. To take your example I didn’t know that Paradise City was a big festival – now I can't remember where it takes place –, I don’t know Ame and never listened to a song of John Talabot. I discovered Kompakt at a dinner with Mickael Mayers and Matthew Herbert by giving interviews. Playing at Sónar was not a big deal either because, to me, music has to keep its useless aspect. I’ve noticed that when I give too much importance to a particular show, it gets worst.

Honestly it's too long and as nobody will get what it refers to, I let you just imagine a very long list of names that includes numbers and technical references.

I am having fun with a bunch of inventions, and some of them are Facebook live and the radio. To be honest, all the process was tiring but globally exciting. I think that buying music in 2017 should be like donating. You can allow people to listen your music for free, but you cannot stop them from donating.

As I said, I didn’t know his music before journalists talked to me about him. I don't feel close to his music even today. The artists that inspire me a lot by these days are Flying Lotus, Tame Impala and Frank Ocean.  And I think that producing music with all of them at the same time might be a good experience.

I consider everything as one thing that moves on different levels. Matter is slow, light is fast; between them, there is sound, and above them, there is the soul. We can only see the light when it touches the matter. And music happens when the soul touches the sound.

I don't know, I can't tell. I'm just doing my ideas in the places I am.

The Centre National de Recherche du Vortex is a way to study and promote the existence of vortexes. It helps people to develop multiple degrees of thoughts and also to accept the unobvious relationship between serious and fun.

Yes, I’ve already done this experiment to make an artificial vortex. But this appears usually when a war reporter gets killed, and then others interview the other war reporters. Vortex.

From September to next August, a big pause of everything that involves a mass of people. Then I don’t know!