In the beginning, to be honest, I decided to be a cook because I worked part-time in a restaurant, next to my studies, and then I just got excited about it. There was something about it, the hard work maybe, and I got really into it. Then it was only later when I discovered that there is this kind of connection between the land, the food and the people and it is almost like a social study. The food can connect with the nature and with the society around you.

To be honest, eleven years ago I met a girl and she kind of said that “if you want to be with me you have to come to Norway.” (Laughs).

A lot of work! I think we were not the restaurant that I wanted us to be when we got the two Michelin stars. So, it’s now that we are turning it into the restaurant that I really want, and I think we got so much better since we got the Michelin Stars three years ago. It is a lot of work, and obviously a lot of pressure that I have to deal with, but with time I found out that we just had to continue with what we were doing before, and getting better every day.

It is all about establishing some sort of connection with what you do. I think as a cook you have to understand all the aspects of what you are doing and I think the most important one is what you produce. So, obviously, for me it is important to understand where that comes from and to understand the person that has been growing it so far. I have to understand the place where we pick ours herbs, or berries or mushrooms from, know where the fish comes from, in order to fully understand and create a relationship with what I do.

Firstly, we are at the farm: taking out to the ground ourselves, bringing to the restaurant what we cook. We try to establish a relationship with that kind of product, and then, when we feel comfortable with it, we try to create something.

I think it is because I feel the landscape of my region is so vast, so big, that I want to be able to showcase as many as different parts of the region, and by doing that I can do a lot of small courses. But when you say twenty courses, they are very small, you know? So the amount of food would be like a normal dinner.

I hope not!

It is very simple: it’s food that tastes like what it is made of. If you have carrots, and you spray them something to grow faster or kill some weed, it won’t be no longer a carrot. So for me it’s very important that what I cook with is something in its original state.

Wow, fourteen to sixteen hours. Something like this…

I pretty much work everyday, but when I am not in the restaurant it seems like I always do something related to my work. I think there is some kind of relevance between what I do and what I do at the restaurant.

Norway used to be a poor country and the surrounding countries used to have all the money. So I think Norwegian cuisine reflects the history of this country: its preservation and surviving through the climates. But in one word, I would say cold.

We book the tables with three months in advance, but normally it is possible to get a table in one month or so. Sometimes there are cancellations, so you can get a table in a week, but normally count one moth and you should be safe.

I don’t know. We have so many different guests: we have people that come here and it is not a big deal, that enjoy their meal and their wine and then they leave. And then we have some people –young people maybe– that have been saving for about one year, and that is what blows my mind the most. So, for me, anybody that steps in the door and has made the choice of coming here and spending three and an half hours with us, which is almost a life – that is already kind of a big deal for me.

Oh yes, of course. I wouldn’t say music, right now we are in the processing of creating some kind of a soundscape. Something that builds on the experience. For me music plays a big role, and I think that anything that stimulates you – something you read, something you see or something you hear – has some kind of impact on you and trigger some sort of reaction. I think both these things are important in my professional life and personal life, but specially in my professional because if I don’t get any kind of reaction, I cannot react. Anything that stimulates me is important.

Right now we are listening to music and we are actually in the Test Kitchen doing some dishes. I think we are playing Bon Iver.

Actually we just got our honey, we have our own beehives.

Yes, exactly! So right now I am super excited about this honey!

We have a dish that we made with langoustine from the west coast of Norway, that’s been in the menu for a while now, and I would choose it.

I think all cuisine is molecular. I think there is a chemical reaction in everything we do and everything we touch. For example, you, and me, and this conversation: there is a chemical reaction. Saying a cuisine is molecular makes me think that I really don’t know what it is. I know the all the Modern Spanish cuisine you call molecular, but for me, to be honest, a piece of meat put in a bread and glanced with butter, that is also molecular.

I thought it was a good name. Mother Earth or all that moves and is alive. And for me it is what we are doing here. I try to create something that celebrates life, celebrates the season, celebrates that we are alive, we are here and we are in the moment.