Alexandra Drewchin is the mind behind this experimental project “that challenges the boundaries of taste and decorum” (Pitchfork). Evading purpose, genre, and a journalist’s feminist rhetoric, she displays an anarchist spirit. True to the deeply uncomfortable contradictions and clashes in her tracks, Eartheater
recently featured in Chanel’s Resort 2020 show to an interesting effect. As the home-schooled child of a Soviet-era propaganda artist, Drewchin appears to want to shroud her work in mystery, but her anti-capitalist rhetoric is lightly veiled.