Retrospectively, it’s an endeavour which this contemplative retrospective undertakes with a certain amount of ‘oomph’, enough to pull the interests of anyone who may be walking by on say a Thursday afternoon, thanks to the presence of everything from a flat iron punctuated by tacks on its underside (Cadeau, c.1958) to a hanging mobile crafted out of coat hangers (Obstruction, 1964) and a sculpture of Venus which has been cast in rope (Vénus restaurée, 1971). Although, what decisively makes these objects extraordinary, aside from them having come to fruition through the Dada and Surrealist movements, is the undisguised notion that they seem to venture beyond corporality and instead question our understanding of practicality. Something which certainly finds its home in the mind of their creator who once said “It has never been my object to record my dreams, just the determination to realise them.”