Ten Electronic Records

The Dutch musician and rapper doesn’t give a f. He announced this album on December 31, 2025, when most of us were already celebrating, and dropped it on January 1 while we were busy dealing with the hangovers. Across twenty-four tracks, he takes us on a wild ride, bouncing between head-nodding hip-hop, dancefloor chaos, and eccentric moments where even Duolingo’s classic sound fits perfectly in the mix.

Where popheads and electronic lovers collide in the best possible way. Featuring a mix of personalities like PinkPantheress, Clairo, and Dua Lipa, this album makes us go through a bunch of emotional states, some fragile, some full-blast ecstatic. While some still debate whether hyperpop is a real genre, Danny L Harle moves effortlessly between calm and explosive moments, all stitched together so smoothly it feels like one big, perfectly balanced journey.

Many consider it her most forward-thinking creation to date, and it’s easy to see why, as she, among other artists, continues to reimagine pop as we used to conceive it a few years ago. Already accumulating millions of plays, the album draws inspiration from the Mall of America, where the artist spent days soaking in its energy. Just unique enough to grab our attention, just catchy enough to keep us hitting repeat.

With this six-track project, Barcelona-based Venezuelan DJ Phran keeps us locked in a hypnotic rhythmic loop. Drawing from his home country’s music heritage and underground culture, he crafts an EP that’s effortlessly engaging and easy to listen to, in the best way.

The iconic New York duo recently delivered this album, which swings between Shanny Wise’s intimate, charming vocals and playful, fancy beats topped with irresistible choruses that make us smile throughout. Every track is ultra-danceable, flowing seamlessly from one groove to the next and keeping us truly hooked from start to finish.

The London-based synth-punk duo formed by Maria Manow and Ike Clateman, who famously disliked each other when they first met in Berlin in 2022, once again taps into a specific kind of nostalgia, bringing back the raw intensity of teenage emotions. This new album moves like a rollercoaster: soft vocals contrast with heavily saturated beats, echoing the chaos and excitement of adolescence.

This seventh album from the Japanese producer leans into his signature hypnotic blend of house and techno. Floaty drums and a ‘simple’, dreamy atmosphere create a sense of comfort, weaving alongside more intense tracks like Durability, adding another strong chapter to his overlooked legacy.

Banger after banger, Tim Nelson and Sam Netterfield, of Australian band Cub Sport, craft a glossy, carefree pop atmosphere that feels instantly addictive. Tracks like boyfriend and girls get us more than ready for the summer ahead. The album has already won over listeners, and there’s clearly a lot more to come.

North Carolina-based DJ and producer James Mapley-Brittle has built up respect over the years within the North American club circuit. This twenty-four-track album unfolds with relentless digital experimentation alongside a high-impact club energy that fuels the dancefloor.

UK artist and jungle enthusiast Catherine Backhouse delivers a genre-blurring record where drum and bass, krautrock, and even grime flow into one another. Ultra-repetitive percussion on tracks like opener Chromophoria collides with more fluid, relaxed moments such as Mirjana. A record that shifts shape beautifully and is definitely worth a listen.