Ego Death At A Bachelorette Party is a rare and inspiring manifest of emancipation. It’s her way of emotionally breaking free from a contract she signed at fifteen, one that used to hold her back creatively and left her feeling stuck in a system that didn’t serve her. With a mix of pop, emo, punk, and folk, the album channels two decades of rage, frustration, loneliness, and everything in between. Long story short: this album deserves a loud cheer, a raised glass, and definitely a click on the play button.
Blending pop, indie, electronic, and of course strong country elements, the songs explore themes from Ireland’s economic boom to the fallout of the 2008 financial crisis — sometimes critically, sometimes ironically. The meaning of the title is threefold by the way: Ireland as European country, the music genre CMAT mostly grew up with and the Euro coin as a symbol of capitalism.






