With an impressive catalogue of releases on some of the most respected labels in electronic music — from Ultra Music, Ministry of Sound, Crosstown Rebels and Sapiens to Three Six Zero, Glasgow Underground, Saved Records and Rumors — Nick Morgan is a sonic storyteller whose sound transcends the conventional boundaries of electronic music. Known for his genre-defying productions and dynamic sets that bridge intimate club culture and large-scale festival energy, the DJ and producer’s signature blend of deep grooves and emotive textures brings a rare sense of depth and connection to dance floors around the world. Perhaps best known for his 2023 release, Shook Pt. 3, and his long-running residency at MONI in Mykonos, Nick kindly took some time out of his schedule to discuss his creative influences, collaborations and plans for the rest of 2025. 
Nick, welcome to METAL. This month you have many shows confirmed in various European cities. Where are you now?
I’m in Beirut for the first time. It’s such a beautiful place. Had a great show last night. 
Last Friday you performed at Raspoutine in Paris, didn't you? How was it?
It was my first time at Raspoutine, and it was great! A lot of fun. I like playing in Paris because the crowd is generally open to hearing new music and keeps an open mind. Paris is actually one of my top streaming cities, so it was cool to play there.
In a few days, you'll be heading to Mykonos, an island that holds a special place in your heart. Your long-running Sunday residency at legendary nightclub MONI has become an institution in its own right, drawing a loyal global audience. What do you feel every time you travel there?
I’ve spent the last seven summers here; there is something very special about the island. It’s become like a second home to me. I’ve gotten to know a lot of the locals, and Greek hospitality is like no other. I like that there are two sides to the island; if you want to be out, you can always find a good party, and on the other hand, if you want to chill, there are so many beautiful private beaches and local tavernas, which is how I like to spend most of my days when I’m not playing.
With over half a million monthly listeners on Spotify, you've built a reputation not just as a producer but as a true curator of auditory experiences. What do you like most about your work? And least?
I like that my sound is diverse and crosses multiple genres. I don't like to be boxed in, and I definitely don’t like to follow trends. I spent the day here in Beirut and went to see the venue beforehand during the day. I then went back to my hotel and made an edit with heavy Arabic influence that I thought would work in the space. I often make tracks for that night or off-the-cuff remixes that I feel would work for wherever I am. If you’ve been to one of my shows and have tried to Shazam a track or two, chances are nothing came up, and that’s because the majority of my sets are my own songs or my own remixes and edits of songs I like, and I think that is what sets me apart from others.
Your discography includes releases on some of the most respected electronic music labels, including Ultra Music, Ministry of Sound, Crosstown Rebels, and Sapiens, among many others. Do you remember your first great hit? How did you experience that moment?
My first breakout record was definitely the remix I did of Mobb Deep’s Shook Pt II. It was my first “track ID” situation where everyone was messaging me for it. I never intended on releasing it, but Moojo heard it and convinced me we have to put it out, so we ended up putting it up as a bootleg on his label Calamar. Then Ultra Music heard it, and they ended up getting it cleared as an official remix, which I was very surprised about.
Do you feel you've achieved success? What does this concept mean to you?
I think success is a subjective thing. For me, it’s about feeling fulfilled by what I’m creating and staying true to my vision and myself. Of course, there are objective milestones — chart positions, shows, recognition, etc. — and those are great validations along the way. The measure of success in this industry has many faces, but if I can look back and be proud of what I’ve built, both artistically and personally, that’s success to me.
Mobb Deep, Kaz James, Seth Troxler, Agoria, Damian Lazarus... you've collaborated with many artists throughout your career. What do you enjoy most about creative alliances?
I find that when I have a starting point or a reference, creating things comes very quickly for me. I have been getting a lot of remix opportunities, and I enjoy taking them on. I find them to be fun creative exercises: to rework a song with my signature sound.
And what collaboration was the most special for you?
I think the Mobb Deep collab was definitely a big milestone for me.  I used to listen to them growing up and really respect them as artists, so the fact they approved my remix as an official one with them was a surreal experience for me.
If you had to define your sets in just three words, what would they be?
Groovy, journey, unique.
Are you interested in the trends the international music scene follows? Do you analyse what audiences seem to like the most, or just do your own thing?
I really try not to follow the trends at all.  I think if you want longevity, you need to find your own sound and ignore the noise.  I think this music is coming more to the masses, and there are people that are expanding beyond what’s popular at the moment.
And do you think the international music scene is experiencing one of its best eras in history?
When I first started DJing, there weren’t really the same platforms, and the barriers to entry were quite high.  I think now it’s so accessible to get your music out there, and electronic music has really taken a front seat.
Is there any artist you think should get more recognition? Who and why?
I think any artist that is making their own music and not slipping into the theatrics and gimmicks.  I think as this music becomes more mainstream, a lot are doing it for the wrong reasons. 
What do you like to do in your free time to disconnect from work and reconnect with yourself?
I spend a lot of time in LA. I like to get outside, go for a hike and listen to podcasts, or just sometimes silence is nice.  I’ve also been trying to get my health in check and stay balanced, as touring life can really take a toll on you.
And what can you tell us about your projects for the second half of 2025?
I have a bunch of remixes in the pipeline and am hoping to finish my EP by the end of the summer. I’m excited to put out my own body of work now that I feel like I have come into my sound.