It further explores a dichotomy of 'Tourist vs Purist', seen in a very clear way through the different garments that emulate buildings from touristic cities like Paris and New York, as well as the aeroplane duffel bags and the jet-setting, relaxed looks. However, on a deeper level, it delves into the different archetypes of outsider vs insider, recognising the codes that represent these, and not favouring a position over the other, as we can find ourselves in either or both places at any time. This is also shown through a mixture of cultural elements, from African draped wraps, kilts or Western hats, all styled by Ibrahim Kamara, which show the combination of Abloh's own cultures, as he's an American of Ghanaian origin living in France.
All of these details are presented in a way that is so true to Black American culture, through subverting figures of speech, making use of irony, punning and riffing, also seen in intrinsically Black disciplines or genres, such as jazz or Ebonics, which is an African-American vernacular English. Through this collection, Abloh wishes to show how Black people through history have been able to subvert all codes and values in a way that they have created new meanings, even new languages. It is a sort of Black consciousness which is celebrated through spoken word by mentioning great inspirations such as Patrice Lumumba, Yemaya, Oshun, Toni Morrison, Tupac Shakur, and many others. It is especially an ode, as it is mentioned, to "Those who burn, those to the flame and the countless unnamed.”


































