









What happens when industrial objects become desirable, subcultures become commercial, and art enters the same systems it questions?

With her work on view at the V&A, the Australian artist discusses how ancestral histories, printmaking and the natural world shape her practice.

The artist finds freedom in contradiction, moving between Colombian roots, fragmented memories and the physical intensity of dance music in his new album, “Killing Mariposas”.

En “Cautín”, su primera exposición individual en Europa, la artista chilena aborda la memoria mapuche y la defensa del agua a través de cerámicas, bordados y videoperformance.

At the New Museum, “Arrivederci, Piggies!” brings tension to a shared cinematic space, with meticulously constructed strange worlds where humor, repetition and unease exist side by side.