The first thing we feel when we listen to Alesia Lani's new single, I Don't Mind, available today on digital formats via Trailing Twelve Records, is a sense of empowerment and carefreeness. The Texas-based songstress transmits to us that energy that we so much need after 2 very complicated years, in which self-love and self-confidence have become protagonists and we enjoy being our most honest and real version. This new single comes along with a music video that takes us back in time to the 70s.
Funk, flirtatious soul and enthralling vocals meet in this new song with which the singer wants us to enjoy the moment, and which she presents after releasing her dynamic With Love mixtape and follow-up singles What You Know About It and IDFWU. And it is that if there is something that makes this song completely natural and sincere, it is that the composition process was organic, without any pressure or specific objective. “When I heard that bassline it gripped my soul, I told my producer “I hope you didn't give this to anyone, cause this is all me,” says the artist.
This is how Lani shaped her new single that promises to become a hit. “The production is so funky, sassy, strong, yet has a smooth-ass groove you can ride to. I just followed the lead & rode the wave of the song,” she adds. Special mention should be made to the music video directed by Seven The Shooter, in which besides seeing the singer being shot by lots of photographers, we can also see how the team behind the cameras works, which could be seen as a commentary on how we view entertainment versus reality. Retro aesthetics are charged with good energies.
This is how Lani shaped her new single that promises to become a hit. “The production is so funky, sassy, strong, yet has a smooth-ass groove you can ride to. I just followed the lead & rode the wave of the song,” she adds. Special mention should be made to the music video directed by Seven The Shooter, in which besides seeing the singer being shot by lots of photographers, we can also see how the team behind the cameras works, which could be seen as a commentary on how we view entertainment versus reality. Retro aesthetics are charged with good energies.