Five years in the making, ILLSAMGONGGONG is finally here. After offering a first glimpse through clear out the room and, more recently, Headrock featuring GIRIBOY, 1300’s long-awaited debut album is out today, bringing together thirteen tracks that trace the Korean-Australian collective’s journey through uncertainty, growth and the friendships that held everything together when it mattered most.
“There was the realisation of what we all wanted collectively, and that was to block out the noise and return to what we loved doing most,” goyo tells us. That simple idea runs through every corner of ILLSAMGONGGONG, a record about trusting your instincts, embracing chaos, finding purpose in the people around you, and understanding that sometimes the longest journey is the one that leads you back to yourself.
How are you experiencing these final days before the album is finally out in the world?
rako: Quite exciting, somewhat nervous, a little worried, and very relieved. It has always been like this whenever we are putting out new projects, but ILLSAMGONGGONG is like the grand version of these emotions. We took the words ‘mixtape’ and ‘album’ very seriously, and after five or six years of doing this, we are finally putting out an ‘album’.
Releasing ILLSAMGONGGONG makes me understand a little bit of when parents first send their kids to school. I love them; I know this album is great, and it’s ready to be out in the world. However, I still have a little bit of nervousness and worry.
Releasing ILLSAMGONGGONG makes me understand a little bit of when parents first send their kids to school. I love them; I know this album is great, and it’s ready to be out in the world. However, I still have a little bit of nervousness and worry.
You've described it as the answer to a moment when the five of you wondered whether what you'd built could survive. Looking back now, what do you think kept 1300 together when life was pulling each of you in different directions?
goyo: Each of us faced different challenges throughout our hiatus, and I think most of it came from us going through the journey of life. It’s not easy juggling music on top of all the other things we do as individuals. We needed to regroup and really talk about what was going on. I remember vividly the moment that kept us together. There was the realisation of what we all wanted collectively, and that was to block out the noise and return to what we loved doing most.
Why did this feel like the right moment for a debut album?
Nerdie: Our work has always been a bit chaotic and unsettled. We’ve stretched ourselves and explored the unknown, and now we have a better understanding of our own identity as a group. It feels like a homecoming; it’s now that we are sure of something, of knowing that there is a home here for all of us, in each other, in ILLSAMGONGGONG.
“Our work has always been a bit chaotic and unsettled. We’ve stretched ourselves and explored the unknown, and now we have a better understanding of our own identity as a group.” Nerdie
You released Headrock with GIRIBOY just a few days ago. What did that collaboration unlock in the context of this album?
rako: That was more like a connecting thread. We have been big fans of GIRIBOY since we all started making music, and we’ve been in touch with him for a few years now. Since it’s our first collaboration since signing with UMK, this track lets us show where we stand within the Korean music scene and how organically we’re connected to it. If ILLSAMGONGGONG is the album of our six-year journey, Headrock felt like the door showing the start of what may seem like an impossible journey.
Signing with Universal Music Korea is a huge milestone. Has anything about the way you think about 1300 changed since joining the label, or has it simply given you a bigger platform to keep doing things your own way?
Nerdie: It’s been helpful having a solid team that understands the music on a cultural level and is excited to do something new. They are a great fit for us and have been very aligned with what we are doing. We haven’t had to compromise on our creative vision at all, and they have brought us some great opportunities so far.
1300 brings together three rappers and two producers, each with their own ideas and personalities. What’s the hardest part of making an album as a collective, especially when everyone has a different vision of what a song could become?
Pokari: Belief and trust. We all trust each other, so if one of us has a strong vision, even if it doesn’t align with the rest, we do our best to believe in them, and hopefully, by the end of the song, we’ll see what they see. Of course, this doesn’t always work out, but there’s enough love in the group to at least try and be open to experimenting. Perhaps that’s why 1300 doesn’t have a particular sound or genre; it’s a feeling.
The album moves between confidence, exhaustion, friendship and uncertainty without trying to hide any of it. Did making these songs change the relationship between the five of you away from music as well?
DALI: While working on this album, we faced a lot of ups and downs. But in the end, because we were all looking toward the same goal and overcame everything together, our bond became much stronger and tighter.
“When we’re at the studio making music, anything goes. We have such a diverse palette, as all five of us enjoy very different music.” goyo
If someone has never heard 1300 before, which track would you play them first?
DALI: Ideally, I’d love for them to listen to the entire ILLSAMGONGGONG album from start to finish. But if I had to pick just one, it would probably be Fever. I feel like it perfectly delivers our bright energy, and the sound itself is so dynamic. It really takes you on a journey.
Your music naturally blends rap, alternative influences and touches of electronica without feeling tied to a single scene. Has following your own instincts ever felt risky, or has ignoring expectations always been part of 1300’s identity?
goyo: When we’re at the studio making music, anything goes. We have such a diverse palette, as all five of us enjoy very different music. Some of us listen to more hip-hop, while others listen to electronic music or indie rock, and so on. Every project we make becomes a melting pot of these influences, and if it ends up pushing boundaries and breaking expectations, that just puts the cherry on top of it all.
The video for clear out the room was self-directed and shot entirely on an iPhone. Why was it important for you to introduce this new chapter in such a hands-on way?
Nerdie: This album was a process of returning to the core of what makes 1300, 1300. I wanted to be free to capture the spontaneous energy of the group, so we went for a lightweight approach with minimal crew and a singular creative direction for each video. The magic of the group is real; we don’t have to construct it, so we just let it come out naturally.
One of the album’s strongest ideas is that home isn’t a place, but the people you return to. After everything you've experienced together, has being part of 1300 changed what the word "home" means to each of you?
rako: Honestly, the journey of making this album is when that really hit home for all of us. The five of us come from different lives and different childhoods. We’ve been making music together, touring together and going through good and hard times with each other for six years now. But as you’d imagine, five boys don’t really show their deeper emotions to each other. There was a time in the early-to-mid stages of this album when we sat in a circle and really went through each other’s emotions. That was when we really knew that we really, really cared for each other. From then, the concept of ‘home’ became wherever the rest of us are. Being at home now means being with the boys. I mean, yes, we still return to our own homes at the end of each day and spend time with our families.
You’re known for explosive live shows. Which song from the album are you most excited to finally perform in front of an audience?
DALI: I’m definitely most excited about ILLSAMGONGGONG. Just thinking about the crowd chanting our name and singing along with us already gives me goosebumps.
Where would you love to be five years from now?
Pokari: On a personal level, each of us is at a different stage in life, so this is a hard question to answer definitively. Perhaps we all want to be able to quit our day jobs and have 1300 become a creative force that feeds us, spiritually and monetarily.
And what’s one dream you still hope to make come true?
DALI: Our dream is still to share our music with a global audience and go on a proper world tour. We’d love to headline a major international music festival one day and connect with fans all over the world.

