Conservatory pianist and DJ, Lola Bozzano, is the queen of good vibes, making waves in the electronic music scene. Whether it’s her unique blend of four CDJs, piano, and live vocals in her sets or the infectious energy she exudes on stage, there’s something about her and her music that feels undeniably promising. After dazzling audiences with her live performances, she is now set to release her new EP, Eternity. The record, featuring two tracks, marks the beginning of a new chapter in her artistic journey.
“After a lot of personal growth, I feel more prepared than ever,” she says when discussing this new era. Having performed at festivals like Boombastic and Mad Cool, and filling clubs across the globe, she’s gained the maturity needed to pour her energy into the studio. The result? Tango and Eternity –two tracks that blend deep techno and melodic house, paying homage to her Spanish roots. A free spirit and firm believer in doing everything with love, today we get to know the woman behind the music.
First things first, who is Lola Bozzano? How would you introduce yourself to someone who doesn’t know you yet?
I’m a happy and strong woman! When I want something, I do everything I can to make it happen. I believe in magic and that everything happens for a reason. I’m all about good energy, and it’s the first thing I bring into a room. I feel blessed to be able to express this through my music. But it’s more than just music – it’s an inner journey, shared with everyone present, through deep beats, live piano, and vocals.
How long have you been involved in music, and what are your earliest memories from those days?
I started playing the piano at the conservatory when I was six, and I remember spending hours improvising and creating melodies. Music has always transported me to another dimension, whether I’m dancing, writing, drawing, walking, or just being.
So far, you’ve been better known as a DJ, but on October 11th, you’ll be releasing Eternity, your debut EP with The Gardens of Babylon Records. Can you tell us more about this project?
Eternity features two tracks that took me over three years to compose, and the process of perfecting every little detail has been amazing. I must say I feel a sense of evolution, but these tracks still stay true to my essence. Both have lyrics that help you connect with your core and separate yourself from the ego.
Would you say this record marks a new chapter in your career? What can we expect from Lola Bozzano going forward?
Absolutely! This is a defining moment. I’ve been waiting for this my whole life, and I can’t believe I didn’t have the courage to do it sooner. I’m excited and grateful for all the love and support I’ve received. After so much personal growth, I know I’m ready.
I have many piano and vocal compositions that I might adapt into electronic tracks or release as they are. While I’m refining that idea, one thing I know for sure is that creating and spending time in the studio is my passion. That’s why I started this journey, and it’s still my driving force today. Sharing that experience with the audience and creating a collective experience has been an unexpected gift.
I have many piano and vocal compositions that I might adapt into electronic tracks or release as they are. While I’m refining that idea, one thing I know for sure is that creating and spending time in the studio is my passion. That’s why I started this journey, and it’s still my driving force today. Sharing that experience with the audience and creating a collective experience has been an unexpected gift.
Before the full EP release, we got a first taste of the record with Tango. It blends deep techno and melodic house and reflects your Spanish roots. Why did you choose this track as your introduction?
It was a tough choice between Eternity and Tango, but I went with the latter because it really showcases my Spanish roots and carries a certain strength. Eternity also has that, but it’s more intimate. Let’s save that one for a second date! ;)
In the title track Eternity, your voice plays a bigger role. Are you tempted to shift away from electronic music and focus more on vocals?
Not at all! Both are essential parts of me. OK, if I had to choose, I’d say the piano is my core. But music, like life, requires balance. Just like we need different kinds of food to stay healthy, we need different experiences and emotions. Music follows the same path. For me, it’s about creating moments—those tender, vulnerable ones through vocals and piano, and those moments when the beat drops and the electronic side takes over, freeing you to dance and let go.
You started studying piano at six. Can you tell us more about your musical education? How has it shaped your growth as an artist?
I completed my conservatory studies and attended music school. I had two incredible teachers, Mercedes and Antonio, who not only taught me music but also became like family. I also studied International Business in Madrid and London, where I met the first people I recorded with at Metropolis London. Even though it was a different field, it taught me a lot about life and helped me realise that music was my true calling.
Have you always been into electronic music?
It’s funny – before I ever attended an electronic festival, I was already producing tracks on GarageBand with electronic sounds. It seems like it was always meant to be!
“Just like we need different kinds of food to stay healthy, we need different experiences and emotions. Music follows the same path. For me, it’s about creating moments.”
What led you to become a DJ, and what can people expect from your sets?
My main goal was to compose music, but things just fell into place. I started meeting DJs, and before I knew it, I was playing my first party for Mahou just a month after learning how to DJ. I had to use my phone’s flashlight to find the ‘cue’ button! That said, I spent weeks preparing my set to ensure that each track flowed harmonically and rhythmically. I may not have known how to DJ yet, but I knew music.
This year, you’ve performed at festivals like Mad Cool in Madrid and Boombastic in Asturias, and opened the Namaste Festival in Ibiza, as well as playing in other different venues and beach clubs. How do you approach your sets? Does the location or audience influence them?
Managing four CDJs, a piano, and vocals means I need to have a well-prepared set with a nearly final track selection. However, there have been times when I had to improvise everything! I feel more secure when I’m prepared, but I always leave room for improvisation, especially with the piano. That’s where I find the most inspiration. When I play, I’m transported back to childhood – just a happy kid, lost in the joy of the moment. Of course, the location, time, and atmosphere matter. Music is a shared experience with the audience; we’re all part of it.
You’ve performed in places like Amsterdam, Morocco, and Croatia. Which city has surprised you the most in terms of its clubbing scene and audience?
Every session is unique, and I love the variety. But if I had to choose, I’d say Amsterdam and Mexico gave me goosebumps. The energy was so special –there was no rush, and both the drops and the silences were equally appreciated.
Is there a city, festival, or club you dream of playing?
I can’t reveal that just yet! But give me a couple of years, and hopefully, I’ll be able to share it with you.
What are you working on right now? Any plans you can share with us?
I’m focused on incorporating more of my own music into my sets. When I play my own tracks live, I feel the most grounded, so I’m working hard on creating more music and sharing it with my audiences!