I probably got a great introduction to make arts in the idea of doing everything yourself, and do it twice.

The strange and very sexy thing about light is that you see it everywhere and, at the same time, you can’t see it at all. But through some medical lenses I could borrow from The Danish Medicine Museion, could I make some experience, a bit like an alchemist’s method to see some photographs without seeing anything on C-paper. But sure, I’m very interested in more kind of existential questions. What I am also very excited about is this kind of concrete/abstract method, which my works almost always end up being.

Not at all, I'm just a curious person who tries to get wiser on the world quite literally. So one can say I use art as an excuse for a lot of unreasonable trials and studies.

I think it is a fairly general condition for all life, and not least photography – it has always been. Perhaps, I am more aware of the concept of time in a rational form, something that has been and is in the picture that occurs in the documentary, basic form of the photograph.

For me, the book is a different media/platform from an exhibition. You can build and put works together on some other premises, and the work can be redeemed in a book – and it is quite sovereign. In addition, the book is still standing when the exhibition is gone and the works are either sold or in stock. That way, it maintains the work in its own frame and beyond time.

I did that work in collaboration with another artist, Trine Søndergaard. We did not realize that the actual killing was particularly interesting. It seems quite obvious to us that when you go hunting, you will kill the bird. We were more interested in the self-determination of the concept of hunting today – not in a ridiculous way; more in an attempt of understanding the fact of being in nature and following its instinct to get the food on the table, perhaps an excuse to move into nature, a rational errand. In fact, it’s quite romantic.

Very simple: an opportunity to realize it. Not that I'm not happy; I’m honoured and feel my work is appreciated but I also know that when you receive refusal on other great ideas and work, you have to tackle that refusal and continue. You should not let it influence your work and process too much.

I’m busy doing a huge decoration in a hospital with the Light Break work.