Yet still, in this overload of imagery, Harley Weir manages to grasp your attention. Where other photographers keep a ‘safe’ distance, Harley’s point of view is from up close, resulting in intimate images that show an eye for detail. She has an ongoing obsession with youth and captures intriguing personalities. All images of the exhibition are made with an analog camera, reinforcing the feeling that draws you into her photographs. The exhibition is like a visual poem, still leaving space for interpretation, and can be seen at FOAM
until the 19th of February 2017.