All my projects in varied mediums involve at least a minimum of understanding about the technical limitations and possibilities of each. I like to visit the artisans, touch, make samples and see the colours. I find that some sort of grid, graph or canvas – picels, loom, molds – are at the bottom of each, and I am drawn to this internal graph. It’s kind of a molecular structure for all surfaces, linking the digital and the handmade. If I paint interior and exterior spaces with walls and floors, it’s a fantastic process to then bring these things to life in a real physical space, for people to enjoy in the form of rugs, tiles, mosaics or murals.